Roksanda Ilinčić, a London Fashion Week favourite, showed a collection that cut through the noise of faux feminist drivel, even amidst the chaos of Storm Dennis.
The American designer’s runway show, with its Karole Armitage choreography as creative accompaniment, summoned up a longing for a bygone New York City – one that represents big lights and bigger dreams.
Stefano Pilati’s breathtaking collection of weightless tailoring quietly marked a departure in menswear, paving the way for the fluid tailoring, inspired much by the feminine, that we enjoy today.
If it looks like trashy reality TV, that’s because it is precisely that. The content of the Netflix series is mostly asinine, but it does strike up some trains of thought for a Singaporean viewer.
The house of Versace is at its strongest when its women are sexy, in command, and have their beauty celebrated. Its fall collection used a brash palette of colours and textures to push that vision – and it’s one of the house’s strongest in recent times.
The Spanish leather house is launching a limited edition, seasonal capsule collection inspired by the rich and folksy works of the renowned British ceramicist from the Arts & Crafts movement – dragons, cats, Dodo birds, and all.
The Audacious perfume, timed perfectly for the brand’s 25th anniversary, is a first for the brand and elegantly encapsulates its aesthetics and spirit.
Although all major brands helmed by successful designers, Coach 1941, Michael Kors, and Tom Ford’s Spring/Summer 2020 collections seemed awfully short on points of view for a new decade.
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